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HOME
ABOUT
SHOP
PROJECTS
BLOG
COMMISSIONS
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CONTACT
STOCKISTS
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HOME
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SHOP
PROJECTS
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STOCKISTS
SHOP Victorian Day Dress
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Victorian Day Dress

$100.00

This striking piece transforms pattern paper into a historied artifact, featuring a delicate long-sleeved bodice in translucent cream paired with a golden skirt dyed with eucalyptus leaves. The natural botanical dyeing process has imparted warm amber tones that evoke the aged patina of cherished heirlooms, enhancing the work's theme of preserved memory.

The dress beautifully preserves the technical language of dressmaking, displaying multilingual construction notes including "CULOT'S BACK," "Ligne de Cutina," and precise measurement indicators for the crotch line and seam allowances. These elements, set against the rich burgundy backdrop, create a compelling dialogue between the intimate process of garment construction and the historical resonance of Victorian-era fashion.

The intentional fragility of the paper captures a sense of temporal vulnerability, suggesting both the ephemeral nature of fashion and the persistence of craft knowledge passed through generations. This miniature garment stands as both document and art object—a meditation on the hidden architecture of clothing and the fading imprints of domestic histories.

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This striking piece transforms pattern paper into a historied artifact, featuring a delicate long-sleeved bodice in translucent cream paired with a golden skirt dyed with eucalyptus leaves. The natural botanical dyeing process has imparted warm amber tones that evoke the aged patina of cherished heirlooms, enhancing the work's theme of preserved memory.

The dress beautifully preserves the technical language of dressmaking, displaying multilingual construction notes including "CULOT'S BACK," "Ligne de Cutina," and precise measurement indicators for the crotch line and seam allowances. These elements, set against the rich burgundy backdrop, create a compelling dialogue between the intimate process of garment construction and the historical resonance of Victorian-era fashion.

The intentional fragility of the paper captures a sense of temporal vulnerability, suggesting both the ephemeral nature of fashion and the persistence of craft knowledge passed through generations. This miniature garment stands as both document and art object—a meditation on the hidden architecture of clothing and the fading imprints of domestic histories.

This striking piece transforms pattern paper into a historied artifact, featuring a delicate long-sleeved bodice in translucent cream paired with a golden skirt dyed with eucalyptus leaves. The natural botanical dyeing process has imparted warm amber tones that evoke the aged patina of cherished heirlooms, enhancing the work's theme of preserved memory.

The dress beautifully preserves the technical language of dressmaking, displaying multilingual construction notes including "CULOT'S BACK," "Ligne de Cutina," and precise measurement indicators for the crotch line and seam allowances. These elements, set against the rich burgundy backdrop, create a compelling dialogue between the intimate process of garment construction and the historical resonance of Victorian-era fashion.

The intentional fragility of the paper captures a sense of temporal vulnerability, suggesting both the ephemeral nature of fashion and the persistence of craft knowledge passed through generations. This miniature garment stands as both document and art object—a meditation on the hidden architecture of clothing and the fading imprints of domestic histories.

Dimensions: 30cm x 40 cm x 6cm

Materials: Vintage sewing pattern paper, natural dyes, board, velvet

Frame: Fibreboard, Polystyrene plastic

Care: Keep away from direct sunlight to preserve the colours

Paperteer

Acknowledgement of Country

Kaya (Hello). I acknowledge that we live and work on Noongar Boodjar, the ancestral and unceded lands of the Noongar people who have been custodians of these lands for over 60,000 years.

As someone with Yamaji heritage, I pay my deepest respects to Elders past and present of both the Noongar and Yamaji nations and extend that respect to all Aboriginal and Torres Strait Islander peoples. I recognise the enduring connection to land, waters, and culture that First Nations peoples maintain across this continent, and I honour their continuing contributions to our community.

I am proud of my Yamaji ancestry and committed to walking together with all First Nations peoples in a spirit of reconciliation, respect, and partnership.